Room Color & How it Affect Your Mood

The colors of the rooms in your home are a direct reflection of your personality. While most of us may not spend a lot of time thinking about room color, it affects us every day. Room color can influence our moods and our thoughts.

Color affects people in many ways, depending on age, gender, ethnic background and climate. Certain colors (or groups of colors) tend to get a similar reaction from most people; the variations come from the shades or tones used. This is why it’s so important to choose colors wisely when it comes to decorating.

The people who live in a home make it beautiful by choosing colors that reflect their preferences and personalities. The trick is to blend the colors you like into a pleasing combination.

Color has the power to change the shape and size of furnishings, as well as the shape and size of the room itself. Selecting colors is not difficult if you equip yourself with some basic information about color and its effects.

Keep in mind that each color has a psychological value. Think about how certain colors make you feel; they can influence any emotion, from tranquility to rage. To create peace and harmony in your home, choose your colors wisely; some colors in large amounts might have the opposite effect on you and your loved ones.

What mood do you want to create? Which colors will help you achieve that mood?

Fabric, carpeting, furniture and tile are available in a more limited range of colors than paint, so choose them first and then decide on your paint color. Once you find something you like, limit the number of colors in a room to no more than three or four. Too many colors can make a room look busy or cluttered. Paint is fairly inexpensive and transforms a room more quickly than anything else, so you can afford to experiment a little.                                                                                                                -Shalini Jain


Important element of interior design where it is necessary to take infinite pains is details. Everything from the trimming on the lamp shade, the color of the piping on the scatter cushion, to the light switches and cupboard handles need attention. Unlike color people find details boring. As a result it gets neglected and skimmed over or generally left out. As color expresses the whole spirit and life of a scheme; details are just as an important underpinning of interior design. Details should not be obvious but they should be right, enhancing the overall feel of a room.

Scale and Proportion – These two design principles go hand in hand, since both relate to size and shape. Without consideration of scale, in particular, human scale, our everyday activities would be more difficult. Scale refers to the relationship between two or more objects, one that has a commonly known size. In most cases, the size of objects is compared to our own human scale.We can find examples of this in our homes and workplaces; for instance, standardized heights.

Proportion is a word often used interchangeably with scale although there is one subtle difference between the two definitions. While the word scale implies the comparison of objects where the actual size of one object is known, proportion relates to the general size of two objects without information regarding their actual sizes (or scales).

While scale is more absolute, proportion is truly relative and requires the interior designer to understand the interactions between objects within a 3 dimensional space. For most designers, it’s a difficult thing to explain when objects in a room are in proportion – this is what we refer to as having “an eye for design”.

There is no right or wrong when it comes to this application of proportion. As it can alter the way our spaces look and feel, getting proportion “right” all depends on the intent of the designer.

Color  have a definite impact on the atmosphere that you want to create when doing interior design. A more detailed post about how colors affect our moods you can find in next post.

– Shalini Jain


In rhythm is all about visual pattern repetition. Rhythm is defined as continuity, recurrence or organized movement. To achieve these themes in a design, you need to think about repetition, progression, transition and contrast. Using these mechanisms will impart a sense of movement to your space, leading the eye from one design element to another.

Repetition is the use of the same element more than once throughout a space. You can repeat a pattern, color, texture, line, or any other element, or even more than one element.

Progression is taking an element and increasing or decreasing one or more of its qualities. The most obvious implementation of this would be a gradation by size. A cluster of candles of varying sizes on a simple tray creates interest because of the natural progression shown. You can also achieve progression via color, such as in a monochromatic color scheme where each element is a slightly different shade of the same hue.

Transition is a little harder to define. Unlike repetition or progression, transition tends to be a smoother flow, where the eye naturally glides from one area to another. The most common transition is the use of a curved line to gently lead the eye, such as an arched doorway or winding path.

Finally, contrast is fairly straightforward. Putting two elements in opposition to one another, such as black and white pillows on a sofa, is the hallmark of this design principle. Opposition can also be implied by contrasts in form, such as circles and squares used together. Contrast can be quite jarring, and is generally used to enliven a space. Be careful not to undo any hard work you’ve done using the other mechanisms by introducing too much contrast!

The principle of design in this room is rhythm: gradation. The ombré effect gradual changes colors.


Symmetrical balance is usually found in traditional interiors. Symmetrical balance is characterized by the same objects repeated in the same positions on either side of a vertical axis, for example you might remember old rooms where on each side of a room is an exact mirror of the other. This symmetry also reflects the human form, so we are inately comfortable in a balanced setting.

Asymmetrical balance is more appropriate in design in these days. Balance is achieved with some dissimilar objects that have equal visual WEIGHT or eye attraction. Assymetrical balance is more casual and less contrived in feeling, but more difficult to achieve. Asymmetry suggests movement, and leads to more lively interiors.

Radial symmetry is when all the elements of a design are arrayed around a center point. A spiral staircase is also an excellent example of radial balance. Though not often employed in interiors, it can provide an interesting counterpoint if used appropriately.

-Shalini jain

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